The peculiarities of mechanical motion in Minkovski space with three-dimensional time are considered. A variation principle for deriving equations of motion is defined and the vector nature of energy and conservation laws for six-dimensional energy-momentum vector are discussed. Difficulties connected with vacuum instability and the possibility of anomalous nuclear reactions are removed due to the time irreversibility principle. The motion of a charged particle in a constant electric field is studied as an example of multitime processes. Some results concerning planet (...) motion in the multitime gravitation field are presented. (shrink)

Recent years have seen the attention of physicists and philosophers, both at home and abroad, increasingly drawn, as is evident in the professional literature, to the question of the possibility of the existence of particles moving at speeds greater than that of light and to determining the physical and philosophical consequences of this hypothesis. The philosophical consequences have to do primarily with the causality principle. We are in receipt of two articles in which these questions are examined from different perspectives (...) and which supplement each other. (shrink)

In recent years, very little that is new has happened in that branch of particle physics which investigates the structure of particles. In an earlier period, certain doubts had existed about the applicability of quantum electrodynamics at distances of the order of 10-14 cm. Experiments that are universally known, in which pairs of electrons and mu-mesons arose, contradicted the theory somewhat. Later, however, it became clear that all this was a consequence of certain methodological inaccuracies.

This paper focuses on Kojève’s account of history and philosophy of science. Kojève’s understanding of science can be characterized as internalism, which is evident in his holistic view of philosophy, theology, quantum physics, and the history of classical Newtonian mechanics. It precipitates the facilitation of a further inquiry into the Christian genesis, secular evolution, and subsequent de-Christianization of scientific thought. The paper includes a critical scrutiny of Kojève’s philosophical tenets, followed by a comparative analysis of the views of Hegel, Koyré, (...) and Kojève. The primary objective of this research is to juxtapose Kojève’s doctrines with Hegel’s contemplations on the history and philosophy of science. In addition to identifying affinities, notably the emphasis on the Christian concept of God’s Incarnation for the advancement of science, I draw the distinctions between the positions of Hegel, Kojève, and Koyré, specifically concerning the valuation of mathematical knowledge. (shrink)

In this thesis I consider the problem of the distinctiveness of knowledge of our own mental states and attitudes. I consider four influential approaches to this problem: the epistemic approach, the "no reasons view," the neo-expressivist approach and the rational agency approach. I argue that all of them face serious problems. I further argue that many of these problems are connected with the lack of fine-grained enough classification of the entities with respect to which we have self-knowledge. I suggest such (...) a classification, distinguishing passive occurrent mental states, mental actions and standing attitudes, and argue that we should treat each of these categories separately for the purpose of explaining self-knowledge of them. I discuss in detail self-knowledge we have with respect to two of these categories: standing attitudes and mental actions. On my account self-knowledge of standing attitudes stands in a derivative relation to self-knowledge of other kinds. In my discussion of self-knowledge of mental actions I establish that we have a distinctive non-observational kind of self-knowledge and show some specific characteristics of this kind of self-knowledge. In the end I attempt to relate self-knowledge of mental actions to practical knowledge in the ordinary sense of skill. (shrink)

The subject of the study is the ontological nature of the phenomenon of creativity in the context of conceptual constructions of the most important nominal layers of non-classical philosophy. The aim of the work is to reveal the ontological essence of creativity in the context of European philosophy of the XIX–XX centuries based on the works of A. Schopenhauer, A. Bergson, J.-P. Sartre, A. Camus and M. Heidegger. The theoretical and methodological basis of the research is the works of representatives (...) of the non-classical period of the development of philosophical thought, as well as the works of modern domestic and foreign researchers, in their works directly or indirectly touching on the problem of the ontological determinant of creativity. The central research methods are comparative and complex methods for establishing connections and relationships between phenomena that are part of the sphere of creative being, as well as an analytical and interpretive method for analyzing existing interpretations of the phenomenon under study and presenting the author's position. The scientific novelty of the research consists in the identification and systematization of philosophical ideas regarding the ontological determinant of creativity in the conceptual field of Western European non–classical philosophy of the XIX-XX centuries. As a result of the conducted research, the author comes to the conclusion that within the framework of non-classical philosophy, the ontological nature of creativity is revealed both at the level of objective reality and in the existential-personal space of the subject. Unlike the classical tradition of philosophizing, which absolutizes the epistemological component of the subject's creativity, in the subject field of non-classical philosophy, creativity regains its ontological rootedness, since it acts as the general existential of human existence, revealing itself through the prism of such concepts as the Will to live, pure duration, creative evolution, Vital impulse, imaginative consciousness, rebellion against the absurd, the promotion of truth and the way out of inauthenticity. (shrink)

This research is devoted to the study of scientific and methodological aspects of providing students with physical education. The research is based on the works of Russian teachers who have adopted the experience of the new higher education program for bachelor's degree. The starting point for the development of new concepts is the latest edition of the Federal State Educational Standard for Higher Education. The purpose of the study is to analysis of the scientific and methodological support of physical education (...) of students under the Federal State Educational Standard program. In the course of the research, we study the most important aspects of the formation of physical skills with the help of basic and additional types of interaction between a teacher and students. Scientific novelty lies new look at complex education, which includes an expanded set of methods, technologies for the development of cognitive interest, activity, physical skills and motivation for active recreation, a healthy lifestyle. The design technology of 2021, based on the method of new generation projects by Evgenia Semyonovna Polat, is a separate factor. The result of the study was the definition of the scientific and methodological aspects of providing physical education in the main and additional types of interaction between the teacher and students, including physical culture, sports, elite sports, competitive tests, project technology and distance learning format. (shrink)

The author of the article turns to the modern discourse about man and his place in the humanities system. A retrospective analysis of the modern discourse about man allows us to distinguish three stages in its development: anti-humanism, anti-anthropology and post-anthropology. Despite the fact that the main topics around which he is focused are concentrated on criticism of "anthropocentrism" and "eurocentrism", the author concludes that the anti-anthropological narrative retains all the features of cultural and epistemological "narcissism". The anti-anthropological narrative continues (...) to function as a system of "recognizing oneself", as a system of "differentiating oneself and the other" and as a system of "justifying oneself through the other". (shrink)

The article examines the use of texts by Church Fathers in esoteric constructions, specifically Tertium Organum, an early work of P. D. Ouspensky created in 1911 before his acquaintance with George I. Gurdjieff. The author analyzes fragments from The Philokalia, the well-known collection of texts by Orthodox ascetic writers of the Middle Ages. Despite the difference between the esoteric system developed by Ouspensky and the Orthodox tradition, the esotericist considers it possible to use the texts of this tradition to illustrate (...) and confirm his own constructions. To do this, Ouspensky uses a special strategy of interpretation, which consists of the following: (1) selecting fragments of the interpreted text closest to his own constructions; and (2) rethinking the selected fragments within the framework of these constructions. As a result, the identity of various religious and philosophical traditions becomes vivid; these traditions turn out to be, to one degree or another, imperfect expressions of the doctrine being represented perfectly only in the esotericist’s own work. This strategy leads to the formation of doubles of interpreted texts and, more broadly, doubles of religious traditions to which the texts being interpreted belong. (shrink)

The object of this paper is creativity as a cultural philosophical and historical-philosophical phenomenon. The subject of the research is the substantiation of the essence of creativity by Russian religious philosophy on the example of the doctrine of V.S. Solovyov and N.A. Berdyaev. The aim of this research is to identify and articulate the key semantic constructs of creativity from the positions of the above-mentioned thinkers. The article also explores ideas about the nature of creativity and the specific features of (...) a creative subject through the prism of relevant concepts of a socio-humanitarian orientation. A brief historical and philosophical excursion into the understanding of the ontological essence of creativity is carried out, modern ontological concepts of creativity are revealed and an existentially oriented concept of creativity is proposed. The theoretical basis of the research is the original works of V.S. Solovyov and N.A. Berdyaev, as well as various commenting scientific sources. The methodological foundation of the research is a comparative analysis and a method of contextual vision of creativity. The main result of the conducted research is the articulation of key aspects of the understanding of creativity by V.S. Solovyov and N.A. Berdyaev. It is shown that for the first philosopher, the central task of creativity is the spiritualization of the material world through the realization of the unity of Goodness, Truth and Beauty, while the second thinker considers the main mission of creativity to be the establishment of a fundamentally different spiritual being by the subject. The scientific novelty of the research also lies in the comparative characterization of the concepts of creativity of these thinkers in terms of essence, tasks, meaning, material, sources, functions, result and other structural aspects. (shrink)

The article summarizes the main achievements of the historical and philosophical thought of Greece in the study of Byzantine philosophy. Modern Greek researchers make a significant contribution to the formation of a theoretical and methodological basis for the study of Byzantine philosophy. Based on this basis, we can discover the origins, essential features and characteristic antinomies of Byzantine philosophy. The article examines the generalizing works of Greek scientists, in which Byzantine philosophy is presented as a holistic phenomenon. Greek scholars perceive (...) Byzantine philosophy as an integral part of the history of national philosophical thought. Therefore, the position of modern Greek thinkers is interesting and has a special heuristic value. (shrink)

This article provides a brief systemic analysis of the key concepts of the so-called new science of art developed by the Austrian art historian Hans Sedlmayr. The result of Seldmayr’s pursuits are reflected in creation of his own philosophy of art and culture based on a particular worldview. The cognition of the whole, along with individual and unique, underlies this science. Understanding is the goal of scientific knowledge for Sedlmayr. It suggests not only abstract knowledge, but peculiar existential experience as (...) well. Sedlmayr interprets the understanding of artwork as its contemplation, which in turn, is identical to its actualization or presence. In Seldlmayr’s art of science, epistemologies and ontologies merge into each other. He interprets artworks simultaneously as the event and as the social organism, which overcomes the linearity of time and fragmentation of plurality. This artificial complex system, built on the paradoxical identity of the single and plenty, is both finite and infinite. Sedlmayr’s views encompass classical and nonclassical approach towards cognition of the whole. He relies on the principles of monism, seeking to reduce all concepts to a single basis, single point of singularity that designates the synthesis of all the moments of the whole and can be expressed by a single category. The main category, which resembles the center of the opposites, is the “midpoint”. The aforementioned ideas are consistent and logical only in such scientific worldview that identifies ontology and epistemology, which implies the unity of contemplation and phenomenon of the artwork. Therefore, in Sedlmayr's constructions, actualization or revival of the artwork is identical with its comprehension. The systemic approach towards the artwork reflected in the theoretical works of Sedlmayr extends the boundaries of art science and converges with philosophy. (shrink)